Robert M. Keller is a pro-bono consultant with the Executive Services Corps of New England and directs the Computer Learning Center at Fox Hill Village in Westwood MA and has served as an Instructor of Computer Applications at Montgomery College.  In 1988, he developed an unique system of indexing country dance figures  and has  compiled several major indexes of English and American country dances including the Dance Figures Index, American Country Dances 1730–1810, and The Dancing Master CD-ROM and website. He participated in the development of The National Tune Index and managed the programming for The Performing Arts in Colonial American Newspapers. He is principal author of the Early American Music and its European Sources. Keller earned a B.S. from the U.S. Naval Academy.

Susan Cifaldi holds a B.S from Southern Connecticut State University and has done post-graduate work in museum collections, image preservation, conservation, and book-binding. She is Librarian and Archivist of the Company of Fifers and Drummers in Ivoryton, Connecticut and an authority on early American field music. Author of a number of specific reports on Connecticut Valley fife and drum traditions, she has presented papers at meetings of the Northeast American Society for Eighteenth Century Studies, the National Flute Society, International Musical Instrument Society, and the Brigade of the American Revolution. She has published articles in the Bulletin of the Sonneck Society for American Music, in Three Centuries of American Music (ed. by Raoul F. Camus) and is co-author of Benjamin Clark's Drum Book (published in 1989).

George A. Fogg has a long history in the arts ranging from his interest in antiques and collectibles to all kinds of traditional dances and is published in both fields. He has a long involvement in the Boston area dance community, working in leadership roles with CDS-Boston Centre, NEFFA, Pinewoods Camp, CDSS, Mainewoods Dance Camp & many other groups & events. He has taught at camps and workshops across the country and sponsors very popular formal evening assemblies of Colonial and English dancing twice yearly. Co-author of four collections of 18th-century dances, 'No Kissing Allowed in School!', A Virginia Dancing School in 1784 , Country Dances from Colonial New York, James Alexander's Notebook, 1730, A Choice Collection of Country Dances (1726) and The Richmond Assemblies: 1790–1797, he is currently running a series of classes in colonial dance in Brookline. He is an alumnus of the University of New Hampshire.

Charles Cyril Hendrickson (1932–2005) began his distinguished career teaching traditional square and country dancing in 1951. At the time of the Bicentennial, he expanded his programs to include American and English colonial dancing, music, social customs, and clothing, appearing at elementary schools, libraries, historical societies, museums, and other organizations interested in America's past. With his wife, Frances Cibel Hendrickson, he founded The Hendrickson Group, a publishing firm specializing in practical editions of eighteenth-century American and English music, dance, and social customs. Frances made the arrangements and played the country dances, cotillion, and minuet music for the Group's recordings. Beginning in 1977, THG managed the very popular summer "Out-of-Doors Country Dance Party" at New York's Lincoln Center.